When I see work like this,
I want to paint,
but when I see photography like this,
I want to be a photographer.
How does one resolve this never ending dilemma? Which one to focus on (excuse the pun)? There's never enough time to devote oneself wholly to something for long enough to become a master at it. So I carry on, jack of all trades and master of none!
(top image Comber)
Campbell
Little Comber
Mary (merc)
Ormond
Shepard
Sutherland
(top photo Bridge #2, Brooklyn, NYC)
Pisa
Train travel - somewhere in Italy
Two tanks jamming, Caltex, Balmain
images from Charles Hewitt gallery
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